Comedias escogidas by Leandro Fernández de Moratín and Molière

(4 User reviews)   858
By Donna Ruiz Posted on Jan 17, 2026
In Category - Humanities
Molière, 1622-1673 Molière, 1622-1673
Spanish
Hey, have you ever felt like you were just playing a part in someone else's script? I just finished this wild collection of plays, 'Comedias Escogidas,' that's basically a 17th-century takedown of society's biggest fakers. Imagine this: a bunch of characters who are all pretending to be something they're not—the fake intellectual, the overly strict father, the gold-digger—all crashing into each other on stage. The main conflict isn't a war or a murder mystery; it's the hilarious and sometimes painful clash between who people really are and the masks they wear to fit in. Molière and Moratín are like the ultimate social observers, holding up a funhouse mirror to hypocrisy. It's 300-year-old comedy that still feels fresh because, let's be honest, we all know someone who acts exactly like these characters. If you like stories that make you laugh while making you think about why we act the way we do, this collection is a must-read. It's proof that human nature doesn't really change.
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This book isn't a single story, but a curated selection of plays from two masters of comedy: the French genius Molière and the Spanish playwright Leandro Fernández de Moratín. While separated by a century and a border, they shared a target: the ridiculous, often hypocritical rules of their societies.

The Story

Each play is its own little world, but they all spin around a central, funny problem. In Molière's The Misanthrope, a man who hates society's phoniness is in love with a woman who thrives on its games. In Tartuffe, a conman pretending to be deeply holy almost destroys a family. Moratín's plays, like The Maiden's Consent, tackle similar issues in a Spanish context, often focusing on forced marriages and controlling parents. The plots are simple engines designed to make these flawed characters collide. There are mistaken identities, eavesdropping servants, and plenty of witty insults. The tension builds from watching these carefully constructed lies and social performances start to crack under pressure.

Why You Should Read It

What blew me away was how modern these characters feel. You've met the Tartuffe—the person who uses virtue as a weapon. You've seen the Misanthrope—the friend who's brutally honest to a fault. The plays aren't just jokes; they're sharp observations about the pressure to conform, the danger of blind belief, and the universal struggle to be authentic. Reading them feels like getting insider gossip from the 1600s, and realizing everyone was dealing with the same social anxieties we do now. The humor is clever, often coming from characters who are dead serious about their own ridiculousness.

Final Verdict

This collection is perfect for anyone who loves character-driven stories, smart humor, and a bit of historical flavor without the dusty textbook feel. It's great for theater fans who want to see where modern comedy came from, or for readers who enjoy authors like Jane Austen or Oscar Wilde, who also excelled at social satire. If you think classics have to be boring or solemn, this book will be a wonderful, witty surprise. Keep an open mind about the older language and settings, and you'll find a mirror held up to human nature that hasn't lost its shine.



🏛️ Copyright Free

There are no legal restrictions on this material. Preserving history for future generations.

Anthony Martinez
2 months ago

I had low expectations initially, however the author's voice is distinct and makes complex topics easy to digest. I would gladly recommend this title.

Jennifer Johnson
1 year ago

Amazing book.

Aiden Allen
1 year ago

Very helpful, thanks.

Donald Sanchez
1 year ago

Having read this twice, the arguments are well-supported by credible references. Don't hesitate to start reading.

5
5 out of 5 (4 User reviews )

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